Its catalogue name

Design
Mies van der Rohe and Lilly Reich
Year
1929
Place
German Pavilion, Barcelona
Material
Flat steel bar and leather
Scroll

Chapter I. Origin

Chapter II. Anatomy

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The X

Two crossed curves

One curve carries the back and runs down to the front foot; the other carries the seat and ends at the back. Crossed, they form an X that recalls the Roman curule chair.

Chapter III. Exploded view

Throne and drawing

Without the cushions, the chair is just two crossed strokes of steel. The luxury is in the leather; the idea, in the X.

A

Structure

Flat steel bar

B

Seat

Leather cushions

Chapter IV. Matter and light

Try it

The same structure changes character with its materials and the light in the room.

Upholstery

The material as its author modelled it, with its own texture.

Light

Product photography light: clean strips that trace every curve of the metal.

Chapter V. Context

  1. 1928

    The commission

    Germany commissions Mies and Lilly Reich to design its pavilion for the Barcelona International Exposition.

  2. 1929

    The pavilion

    Marble, glass, steel and water. The chair is designed for the official opening.

  3. 1930

    Dismantled

    Once the exposition ends, the pavilion is taken down.

  4. 1950

    Redesign

    Mies adjusts the chair to produce it in stainless steel.

  5. 1953

    Knoll

    Knoll begins manufacturing it and turns it into a symbol of corporate lobbies.

  6. 1986

    The pavilion returns

    It is rebuilt on its original site in Barcelona.

Chapter VI. Closing

Designed for a royal visit, it ended up in lobbies all over the world.

Objects of the Century, Barcelona

000

Preparing the room